Dave Gunning
With fourteen albums to his credit, there’s no denying Dave Gunning’s impressive body of work. Fortunately, he’s just getting started…
The Nova Scotian folk musician has shared the stage with legends like Ron Hynes, Rita MacNeil, Stuart McLean, and Stompin’ Tom Connors, and has been recognized in his own right as a master of his craft, both as an award-winning singer-songwriter and a captivating performer.
Known for his abilities as a gracious storyteller, Gunning’s knack for connecting with audiences precedes the skills and experience he’s earned on the road—It is, for him, very much a way of life. Gunning shares the same sort of relationship with music as an eagle does with the sky. From a very young age, music has been Gunning’s way of interpreting the world around him, the lens through which he sees it, and the medium by which he engages with his community.
Dave has never needed to look far beyond his Pictou County, Nova Scotia backyard for inspiration. That’s where the characters live. That’s where the stories come from. Often shining a light on the well-deserving underdogs, he’s also never shied away from tougher topics, staying true to the folk music tradition. In recent years, those topics have tended to be more social and environmental in nature – causes that he holds near and dear. Nowhere has that been more evident, or public, than Dave’s strong stance against a local bleached kraft pulp mill – a proven polluter in the community.
Despite delivering some very important messages in his songs, audiences should also be prepared to laugh at a Dave Gunning show. His banter is perfectly timed, self-effacing, and very, very funny. It’s this finely-tuned balance of sincerity and impeccable performance that makes him one of the country’s most engaging entertainers.
“Once I’m out on stage and the audience has had their first couple of good laughs, it puts me at ease. I believe that’s why I lean toward stories with humour,” says Gunning. “It makes me less nervous. I love seeing people laugh, and I love knowing that there are moments when they are feeling emotional.”
2022 welcomed the release of Gunning’s latest recording, The Same Storm. Written and recorded mostly at home during the pandemic, the album continues along a similar path its predecessors walked – celebrating moments big and small, lending a voice to the folks that need it most, and indulging in a bit of nostalgia on the way. But always with an eye toward the future and the stories it will bring.
Begley, Morrison & Whyte
Breanndan Begley and Rose Morrison met in 2017 in West Kerry, Ireland. They have performed together on both sides of the ocean including Town Hall in New York City, Newport Folk Festival, Other Voices in Dingle, and throughout Germany. They’ve recorded on Oscar winner Glen Hansard’s album ‘This Wild Willing.’
Breanndan came to Cape Breton for the Celtic Colours International Festival in fall 2018 to build traditional rowing boats for their project ‘Voices of the Naomhóg.’ Rose, as artistic creator and director, alongside Breanndan collaborated with other artists and musicians from Scotland, Ireland and Nova Scotia to celebrate language, music and dance. Their debut album as a duo will be released March 2024.
Eric Angus Whyte from North Sydney, Cape Breton released his debut album in 2003 titled ‘Always Home.’ He has lived and performed internationally and is now working on an exciting new duo project with Rose to be released this spring.
Ages 19+ after 10pm
Kitchen open till 9pm
Bar licensed till 2am
Céilidh Matinee
Get a taste of local celtic music & culture with our Saturday ceilidhs (kay-lee).
Expect to see world-renowned talent & budding entertainers from all over our native Cape Breton.
General admission seating ranging from $5-$10
First come first serve at the pub. No reservations. Minors allowed up until 10PM
Trivia Night at The Frolic
Come test your wits & win prizes!
3 Rounds – 12 general knowledge questions each round.
Play solo, or form a team. Funniest team name gets showered with accolades.
Hosted by your man – Ruarí Aonghas Lonce Murphy, every Thursday Night
Cape Breton Celtic Trad Sessions
Come and enjoy a casual gathering of musicians who have come together to play traditional Cape Breton celtic music.
Anyone is welcome to join in, or just sit back and enjoy the tunes.
Sundays at The Frolic 430 – 730pm
Full kitchen and bar service.
Minors allowed till 10pm
The Once
Newfoundland has a storied history of stunning songwriters, poets, and players. Over the course of the last decade The Once have writ and knit themselves into that story
Within the nine songs on their new album Time Enough, The Once offer some of the most vulnerable and honest material of their career. The up-tempo album opener, “I Can’t Live Without You,” reflects on women battling with self-image issues and offers wisened words to be the positive change in their own lives. The gritty guitar driven “Before The Fall” succumbs to the notion that we must accept our past and use those memories to grow. Riff rocker “Any Other Way” reflects the fact that true love accepts us at our worst but insists we do the work to be our best selves to keep it together.
On this, their fourth studio album, the band stays true to the root strength of their harmony driven sound, while extending the borders into fresh yet familiar territory. They craft a sonically understated, but emotionally fulsome sound that accomplishes what they’ve always done so well: stun listeners with what Amelia Curran calls “perfect vocal harmonies, thick enough to stand on.”
Crowdis Bridge
Join us for an evening with some of Cape Breton’s finest multi-instrumentalists, vocalists & songwriters.
Kimberley Fraser is one of Cape Breton Island’s most accomplished traditional musicians and one of the foremost sought after instructors for Celtic music.
Crowdis Bridge are lovers and purveyors of roots & traditional music, steeped in bluegrass, old-time, folk, Celtic and country-blues.
Together they promise to create a musical landscape as amazing and diverse as the Island they call home.
Kitchen open till 9PM, Bar licensed till 2AM
Abbey Mullendore, Steve Luxton & Russ Mathews
Abbey Mullendore is a Cape Breton born and bred singer-songwriter. Raised in a musical family, Abbey’s passion for music and singing began at a very young age. Her style and sound has been influenced by a wide range of female powerhouse artists and bands such as: Fleetwood Mac, Heart, Carole King, Bonnie Raitt, Janis Joplin, Alanis Morissette, and many more. Her sound is often compared to that of vocalists such as Stevie Nicks, Janis Joplin, and Ann Wilson.
Over the past few years, Abbey’s journey in music has taken shape into more of a profession. She has played in many establishments and events across Nova Scotia including The Careltone (Halifax), Strathspey Place (Mabou), with Boardwalk Productions @ Bella Rose Theatre (Halifax), Blueberry Jam Festival (Mabou), as well as opening for acts such as Ashley MacIsac and Jimmy Rankin. Her most recent musical achievement has been performing the lead vocal role of Stevie Nicks with Classic Albums Live’s Fleetwood Mac ‘Rumours’ show across Canada and the US in venues such as Massey Hall (Toronto), National Arts Centre (Ottawa), and Hard Rock Live (Orlando).
Meet Steve Luxton, an alternative folk-rock singer whose music transcends boundaries and resonates with the human experience. With a captivating blend of soulful lyrics and haunting melodies, Steve Luxton weaves tales of introspection and emotion, inviting listeners into a world of sonic storytelling.
Russ Mathewsis a rising singer-musician known for his soulful melodies and crowd pleasing songs. Hailing from the heart of Cape Breton, his music combines folk and country influences, creating a fresh, authentic sound that resonates with audiences accross the Island. With a guitar in hand and a heart full of stories, Russ is making his mark on the music scene, one heartfelt note at a time.
Joel Plaskett Redux
From rocking Halifax’s Marquee Club to performing for the masses at Massey Hall or touring the country with his father, Joel Plaskett has forged a reputation as one of Canada’s most engaging performers and respected singer-songwriters.
Plaskett’s songs are a perennial part of the national playlist, a fixture on “best of” lists, and the soundtrack to the lives of faithful fans across the country and around the world. His accolades over a quarter century include a Juno, numerous East Coast Music, Canadian Folk and Music Nova Scotia awards, and two Polaris short list nominations.
Plaskett’s new project, 44, is his most detailed musical weave yet. A sprawling box set comprised of four, 11-song albums connected visually and thematically, at its heart 44 is an imaginative rumination on trying to slow down and grow up in a rapidly accelerating world.
Plaskett began his musical career in the early 1990s as a member of alt-rock favourites Thrush Hermit, recruiting lifelong fans as the band toured North America in a half-size school bus, setting up their signature neon ROCK & ROLL sign from show to show.
In the early 2000s, Plaskett started touring under his own name with his band, The Emergency (featuring Dave Marsh on drums since 1999, and for the last 14 years, Chris Pennell on bass). Backed by the Emergency and racking up a growing roster of anthemic singalongs, Plaskett worked his way up from small clubs to opening for Paul McCartney and the Tragically Hip, and filling larger venues with his own devoted audience.
Plaskett is a versatile and ever-evolving artist, at turns delivering intimate and idiosyncratic singer-songwriter fare (In Need of Medical Attention, La De Da, The Park Avenue Sobriety Test); incendiary riff-rock (Down at the Khyber, Truthfully, Truthfully), left-leaning folk rock (Solidarity), as well as conceptual epics and off-kilter feats of musical stamina (Ashtray Rock, Three, Scrappy Happiness, 44).
Recorded to analog tape, Plaskett’s records reflect his attention to detail, his dedication to technique, musical history and craft, and a sincere and inimitable lyrical style that runs through his diverse and ever-expanding catalogue.
In addition to producing most of his own records since 1999, Plaskett has also set up shop behind the console at his New Scotland Yard studio in downtown Dartmouth, N.S. His work with artists like Jimmy Rankin, Two Hours Traffic, David Myles, Sarah Slean, Shotgun Jimmie, Dennis Ellsworth, Old Man Luedecke, Dave Marsh, Colleen Brown and longtime collaborator Mo Kenney has led to numerous awards for production, and turned New Scotland Yard into a popular destination for artists looking to develop and document their sound.
In front of the studio is The New Scotland Yard Emporium, where Plaskett has partnered with Halifax mainstay Taz Records to bring a curated selection of records to his adopted hometown, providing a spot where music fans can congregate to grab a coffee or beer while they dig for records.
In a world increasingly connected—and disconnected — by digital mediums, Joel Plaskett prefers to make his connections the old-fashioned way, building community at his studio and shop, dedicating himself to the art and authenticity of songwriting and analog recording processes, and moving audiences with the electrifying, uplifting experience of live performance.
In all aspects of his work, Plaskett embraces both the communal and individual experiences music provides. The ways music and words combine to connect with the listener, turning a minute into a moment out of time, reminding us that we aren’t alone.
Joel Plaskett
From rocking Halifax’s Marquee Club to performing for the masses at Massey Hall or touring the country with his father, Joel Plaskett has forged a reputation as one of Canada’s most engaging performers and respected singer-songwriters.
Plaskett’s songs are a perennial part of the national playlist, a fixture on “best of” lists, and the soundtrack to the lives of faithful fans across the country and around the world. His accolades over a quarter century include a Juno, numerous East Coast Music, Canadian Folk and Music Nova Scotia awards, and two Polaris short list nominations.
Plaskett’s new project, 44, is his most detailed musical weave yet. A sprawling box set comprised of four, 11-song albums connected visually and thematically, at its heart 44 is an imaginative rumination on trying to slow down and grow up in a rapidly accelerating world.
Plaskett began his musical career in the early 1990s as a member of alt-rock favourites Thrush Hermit, recruiting lifelong fans as the band toured North America in a half-size school bus, setting up their signature neon ROCK & ROLL sign from show to show.
In the early 2000s, Plaskett started touring under his own name with his band, The Emergency (featuring Dave Marsh on drums since 1999, and for the last 14 years, Chris Pennell on bass). Backed by the Emergency and racking up a growing roster of anthemic singalongs, Plaskett worked his way up from small clubs to opening for Paul McCartney and the Tragically Hip, and filling larger venues with his own devoted audience.
Plaskett is a versatile and ever-evolving artist, at turns delivering intimate and idiosyncratic singer-songwriter fare (In Need of Medical Attention, La De Da, The Park Avenue Sobriety Test); incendiary riff-rock (Down at the Khyber, Truthfully, Truthfully), left-leaning folk rock (Solidarity), as well as conceptual epics and off-kilter feats of musical stamina (Ashtray Rock, Three, Scrappy Happiness, 44).
Recorded to analog tape, Plaskett’s records reflect his attention to detail, his dedication to technique, musical history and craft, and a sincere and inimitable lyrical style that runs through his diverse and ever-expanding catalogue.
In addition to producing most of his own records since 1999, Plaskett has also set up shop behind the console at his New Scotland Yard studio in downtown Dartmouth, N.S. His work with artists like Jimmy Rankin, Two Hours Traffic, David Myles, Sarah Slean, Shotgun Jimmie, Dennis Ellsworth, Old Man Luedecke, Dave Marsh, Colleen Brown and longtime collaborator Mo Kenney has led to numerous awards for production, and turned New Scotland Yard into a popular destination for artists looking to develop and document their sound.
In front of the studio is The New Scotland Yard Emporium, where Plaskett has partnered with Halifax mainstay Taz Records to bring a curated selection of records to his adopted hometown, providing a spot where music fans can congregate to grab a coffee or beer while they dig for records.
In a world increasingly connected—and disconnected — by digital mediums, Joel Plaskett prefers to make his connections the old-fashioned way, building community at his studio and shop, dedicating himself to the art and authenticity of songwriting and analog recording processes, and moving audiences with the electrifying, uplifting experience of live performance.
In all aspects of his work, Plaskett embraces both the communal and individual experiences music provides. The ways music and words combine to connect with the listener, turning a minute into a moment out of time, reminding us that we aren’t alone.